翻訳と辞書
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・ Emile Boustany
・ Emile Brichard
・ Emile Brunel Studio and Sculpture Garden
・ Emile Bustani
・ Emile Béaruné
・ Emile Calmes
・ Emile Cambry, Jr.
・ Emile Capgras
・ Emile Capouya
・ Emile Christian
・ Emile Claus
・ Emile Clement
・ Emile Czaja
・ Emile D. Beaulieu
・ Emile Daems
Emile de Antonio
・ Emile De Beukelaer
・ Emile de Cartier de Marchienne
・ Emile de Lissa
・ Emile De Mot
・ Emile de Ruelle
・ Emile Dechaineux
・ Emile Degelin
・ Emile Deleau, Jr.
・ Emile Despres
・ Emile Diatta
・ Emile Doo's Chemist Shop
・ Emile Doumba
・ Emile Duprée
・ Emile Duson


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Emile de Antonio : ウィキペディア英語版
Emile de Antonio

Emile Francisco de Antonio (May 14, 1919 – December 16, 1989) was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s. He has been referred to by scholars and critics alike, and arguably remains, “…the most important political filmmaker in the United States during the Cold War.”〔BiblioVault, “Description of Emile de Antonio: Radical Filmmaker in Cold War America,” description of Emile de Antonio: Radical Filmmaker in Cold War America, by Randolph Lewis, University of Wisconsin Press, 2000.〕
==Early life==
De Antonio was born in 1919 in the coal-mining town of Scranton, Pennsylvania. His father, Emilio de Antonio, an Italian immigrant, fostered the lifelong interests of Antonio by passing on his own love for philosophy, classical literature, history and the arts.〔 Although his intelligence allowed him the privilege of attending Harvard University alongside future president John F. Kennedy, he was also familiar with the working class experience, making his living at various points in his life as a peddler, a book editor, and the captain of a river barge (among other duties). He would later go on to make a film about Kennedy's assassination called ''Rush to Judgment'' (1966), an early rebuttal of the Warren Report.〔(Harvard Film Archive, “Emile de Antonio’s America, )” Harvard Archive (accessed September 4, 2011).〕

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